 |
Core Content and Skills
English Language Arts 3
2008-2009
BOE Approved
| |
| Launching the Reading Workshop |
|
|
|
|
Procedures, Routines, Management and Transitions for Reading Workshop
|
|
Choose “just right books” in classroom library – identify genre
|
Log and respond to your reading
|
Develop proper book handling
|
Establish how to work productively with a partner (turn and talk)
|
Make transitions to and from whole class, small group and individual work
|
Learn and demonstrate read-aloud responsibilities
|
|
|
|
|
Build stamina (increasing increments of time)
|
Retell to partner to demonstrate comprehension
|
Make connections to self and with other text to deepen understanding
|
Analyze read aloud texts as a whole class
|
Revisit and review making predictions and visualizing
|
|
| |
| Writers Workshop (Launching) |
|
|
|
|
Procedures for Writers' Workshops
|
|
Gather as a group using respectful behaviors
|
Behaving as listeners: To the teacher and each other
|
Transitioning from mini-lesson, to active engagement, to independent work
|
|
|
Components of Writers' Workshop
|
|
Conferring
|
Personalizing Writer's Notebook
|
Learning strategies for collecting ideas: places, people, things, feelings
|
|
|
Writers' Notebook
|
Mentor Texts
|
"Small Moments"
|
|
Collecting entries "seed ideas"
|
Developing ideas
|
Expanding stories bit by bit
|
Read "Launching the Writer's Workshop" touchstone texts to examine elements and structures of personal narrative.
|
|
| |
|
| |
| Readers Generate and Support Ideas About Books |
|
|
|
|
Questioning to Aid in Clarifying and Deepening Understanding
|
|
Generate and support ideas with evidence from text:
Predicting, Inferring, Visualizing,
Cause/effect,
Develop ideas about characters,
Revise ideas about the story
|
|
|
Story Elements as a Structure to Understand Fiction Text.
|
|
Use setting, plot and characters to deepen understanding
|
|
|
Realistic Fiction with Focus on characters and their traits and how they change over time and relate to others
|
|
Share ideas and questions with reading partners.
|
Make connections between text
|
Make connections to self
|
Analyze characters and support with text-based evidence
|
Differentiate between physical traits and personality traits
|
|
| |
| Writers Workshop: Raising the Quality of Narrative |
|
|
|
|
|
|
Mine notebooks for small moments to develop--focusing on a person, place or object that matters or strong feelings
|
|
|
|
|
Focus narratives through a limited time-span
|
Use a timeline to stretch out a small moment
|
Develop a strong lead/catchy beginning
|
Make a movie in your mind (time and place)
|
Move plot along with dialogue
|
Slow down the action and zoom in to show the heart of your story
|
Write a strong ending to make a lasting impression
|
Write with voice, so that who you are as a writer comes through.
|
Use appropriate mechanics so that your writing can be easily read by others
|
|
| |
|
| |
|
|
|
Self-selected Informational Texts
|
|
Identify the big idea
|
Ask questions/wonderings
|
|
|
Text Features (Headings, Captions, Illustrations, Maps, Cutaways, Bold Print, Index, Glossary, Table of Contents)
|
|
Make observations
|
Determine importance
|
Identify and use text features accurately
|
|
|
Supporting Evidence/Details
|
Vocabulary
|
Integration of new knowledge into prior knowledge
|
|
Activate prior knowledge/schema
|
Identify supporting details
|
Collect facts/evidence/details
|
Differentiating between fact and opinion
|
Integrate new ideas and knowledge into existing schema
|
|
| |
| Raising the Quality of Narrative Writing |
|
|
|
|
|
|
Mine notebooks for small moments to develop--focusing on a person, place or object that matters or strong feelings
|
|
|
|
|
Focus narratives through a limited time-span
|
Use a timeline to stretch out a small moment
|
Develop a strong lead/catchy beginning
|
Make a movie in your mind (time and place)
|
Move plot along with dialogue
|
Slow down the action and zoom in to show the heart of your story
|
Write a strong ending to make a lasting impression
|
Write with voice, so that who you are as a writer comes through.
|
Use appropriate mechanics so that your writing can be easily read by others
|
|
| |
|
| |
|
|
|
Self-selected Informational Texts
|
|
Identify the big idea
|
Ask questions/wonderings
|
|
|
Text Features (Headings, Captions, Illustrations, Maps, Cutaways, Bold Print, Index, Glossary, Table of Contents)
|
|
Make observations
|
Determine importance
|
Identify and use text features accurately
|
|
|
Supporting Evidence/Details
|
Vocabulary
|
|
Activate prior knowledge/schema
|
Identify supporting details
|
Collect facts/evidence/details
|
|
|
New York State ELA test prep
|
|
Time management
|
Identifying and understanding types of questions
|
Demonstrate understanding of short response format questions and answers
|
Considering and selecting the best answer
|
Using an answer sheet correctly
|
|
| |
|
|
|
Stages of the Writing Process (collecting, planning, drafting, revising, editing)
|
|
Recall and review stages of writing process, why they are important
|
Demonstrate how writers observe the world around them and then think about those observations, recording them in their writing
|
|
|
Growing Essay Ideas in Our Notebooks
|
|
Determine importance of ideas about one topic
|
|
|
Non-narrative Structures: Organized by Ideas, held together by an idea that is developed across the entire text, written so the reader can think about the topic
|
|
Differentiate between narrative and non-narrative structures in writing
|
Demonstrate an awareness of what, as the writer, one is aiming for, in order to collect ideas and elaborate on them
|
|
|
Generating Essays from Narrative Writing
|
|
Revisit narrative entries in writer's notebook, selecting ones to which the writer can add insights developed throughout the text
|
|
| |
|
| |
|
|
|
Exploring structures of non- fiction
|
|
Use the features of non-fiction to make sense of the text
|
Have a purpose for reading
|
|
|
In-depth look at one topic: rainforest and/or animal research
|
|
Envision descriptions
|
Recognize cause and effect
|
Recognize problem/solution
|
Understand sequence of text
|
Compare and contrast information
|
Describe cycles in non-fiction text
|
Determine importance
|
Develop questions to enhance meaning
|
Skim and dive to select important information
|
Synthesize the information to make deeper sense of text
|
|
| |
| Non-Narrative Writing - Position Paper |
|
|
|
|
Narrative entries provide ideas for a thesis statement
|
|
Students will observe and discuss the world around them. Students will collect ideas based on observations and ideas about their world.
|
|
|
Stating a position on a topic
|
|
Take a position, decide and state that position as a thesis.
|
Present a clear idea; try to convince audience.
|
Gather evidence to justify reasoning through observations, interviews and/or research.
|
|
|
Boxes and bullets frame essay ideas
|
|
Use evidence and details to develop and support ideas and thinking
|
Organize ideas in a frame that uses key ideas and supporting details
|
|
|
Revising to clarify position and ideas
|
|
Implementing transitional words-(however,therefore,on the other hand)
|
Construct/compose a wrap-up, impact statement
|
|
| |
|
| |
| Genre Study- Fables, Folktales- Oral Tradition |
|
|
|
|
Aesop’s Fables
Asian Fables
Afro-Brazilian Folktales
|
|
Analyze Structure of Fables:
*Animals act like people – dialogue
*Character flaw
*, Problem,
*Solution or Resolution
*, Lesson learned,
*Setting
|
|
|
Folktales from Brazil and the Rain Forest
|
|
Infer themes (lessons, morals)
|
Analyze character attributes
|
Compare and Contrast folk tales and fables, noting what is specific to the culture? (i.e. trickster)
|
|
| |
| Non-Narrative Writing - Research Essay |
|
|
|
|
Selecting one topic to research and write about.
|
|
Identify and then select one topic to research and write about.
|
Clarify and list sub-topics to be included in the research essay.
|
|
|
Outside sources can give information to support our ideas.
|
|
Explore outside sources of information about a topic, including but not limited to: magazines, almanacs, dictionaries, encyclopedia, trade books, internet and photographs.
|
|
|
Gathering information to support our ideas.
|
|
Gather pertinent information on cards or paper strips, organized in subtopics. Identify resource used.
|
|
|
Organizing information and scaffolding it to clarify.
|
|
Organize information and ideas through the use of boxes and bullets, outlines, or storyboards.
|
Use scaffolding of information to clarify and organize.
|
|
|
Non-fiction text structures to emphasize, clarify and inform
|
|
Identify conventions of non-fiction text used in books and other resources to clarify ideas and information
|
Apply what is learned from other non-fiction texts to our own writing.
|
|
| |
|
| |
| Reading-Reading Longer Texts |
|
|
|
|
|
|
Hold on to meaning over the span of the book.
|
Use visualization to strengthen meaning.
|
Identify recurring themes (big ideas) and minor themes in text
|
|
|
|
|
Highlight unfamiliar vocabulary
|
Continue to identify recurring themes in books
|
|
|
Independent reading
|
Series books
|
|
Identify and infer multiple themes over a longer text (small and over-reaching themes.)
|
Identify recuring themes in student's own texts
|
Identify character traits and look for similarities in other books
|
|
|
Literature circles (mini-lessons reinforcing procedures and expectations- fish bowls)
|
|
Identify and support character changes over the course of the book
|
|
| |
| Writing Literary Response Essays |
|
|
|
|
Writers use close reading to spark bigger ideas.
|
The big ideas in books: What is this story really about?
|
Various fictional text forms, such as: historical fiction, science fiction, fantasy, realistic fiction, mystery, historical narrative, memoir
|
|
Read with attention to details which support bigger ideas, morals, lessons or themes.
|
Discuss identified themes in the context of various books and texts
|
|
|
Thesis themes and statements that answer questions with ideas supported in the texts
|
|
Generalize characters' behaviors in light of a theme
|
Analyze the ways authors deliberately craft a story/character to convey an idea
|
Develop lists of character traits which are shown through a character's behavior, thoughts and feelings.
|
Use story details as evidence to support a theme, thesis or idea.
|
|
|
Boxes and bullets as a frame
|
Format essay with introduction, evidence and support, restatement of introduction as a conclusion
|
|
Frame an essay about literature using the techniques previously learned in non-narrative writing: stating a thesis and supporting it with evidence
|
|
| |
|
| |
| Series- Reading Longer Texts |
|
|
|
|
|
|
Empathize with a character/identifying what the character wants and needs.
|
Understand time changes (flashbacks, foreshadowing.)
|
Identify fiction text structures-different character perspectives (within single chapter or from one chapter to another.)
|
Identify and support character relationships
|
|
| |
|
|
|
Styles of Poetry
|
Haiku
|
Free Verse
|
Form Poem
|
Rhyming Couplet
|
|
Recognizing the strategy of "zooming in" when writing poetry
|
Using sensory memory here and now
|
Demonstrate the use of beautiful language...imagery
|
Use original language in a description
|
Use clear and concise vocabulary in writing poems
|
Recognize and use the shape of poetry to express ideas: lines breaks, white space and other forms
|
|
| |
|
| |
| Reading- Memoir/Historical Fiction |
|
|
|
|
|
A variety of texts including: historical fiction, non-fiction, and memoir related to social studies
|
|
Distinguish between fact and opinion
|
Recognize and consider different perspectives through literature
|
Develop and support one's own perspective
|
Recognize historical events and make text-to-world connections
|
Recognize text structures (author's notes, epilogue) that provide necessary background knowledge
|
|
| |
|
|
|
Story Grammar: plot, setting, characters, problem, rising action, solution/resolution
|
Story Mountain: Graphic organizer to aid students in planning the action in their story
|
|
Plan a story using story grammar: plot, setting, characters, rising action, climax, solution
|
Develop the character in a story.
|
Develop problem/events in a story which build toward the climax.
|
Develop the plot of the story using a story mountain, as an aid to visualizing key events in the rising action and resolution.
|
Recognize the importance of setting and use it in a story.
|
Recognize the importance of a good solution writing fiction: may be expected or unexpected.
|
|
|
|
|
Use your own experiences to make the character believable.
|
|
| |
|
| |
| Reading-Memoir/Historical Fiction |
|
|
|
|
A variety of texts including historical fiction, non-fiction, and memoir related to social studies.
|
|
Explore social issues through discussion
|
Recognize aspects of culture
|
Make comparisons between cultures
|
|
| |
|
|
|
| | | |